This one mostly uses Liam on a train carriage in a studio with green screen providing the backdrop and CGI to make it look like the sun’s shining no his face, or that it’s dark inside a station. The Commuter shares similarities to Tom Hardy’s Locke, where he drove from A to B and they actually filmed him doing so, which must’ve required numerous retakes as they got the specific journey spot on. I’ll put it within a spoiler header in case you haven’t seen it: While I didn’t see that until it was on TV, there was always one thing about it which irritated me immensely. The same director, Jaume Collet-Serra, also put Liam Neeson in a plane for 2014’s Non-Stop.
Plus, for a busy commuter train, why is it so empty? Have you tried a train in or out of Manchester at rush hour? It’s heaving!!! It gets beyond ridiculous as people are in precisely the right place at the right time, and how come tickets on the back of seat indicate where someone’s going? In the UK, you keep your tickets on you, and seats aren’t automatically assigned for specific people.
He has until the next stop to decide whether to take on the task and, if so, then until the end of the line to find them and deal with them… Now, any normal person would just think she’s completely out to lunch and that’s that. They’re carrying a bag with a stolen item. So we get it – without all that faffing about.Īnyhoo, one day, he realises just how much debt he’s in, and while having the day from hell, he meets Joanna ( Vera Farmiga), a woman who promises him a stack of cash in return for dealing with “someone who doesn’t belong” on the train. The Commuter starts with an overlong intro that shows Michael ( Liam Neeson) living the same kind of day over and over, as we all do when going to work.
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